Showing posts with label moving on. Show all posts
Showing posts with label moving on. Show all posts

Sunday, June 28, 2020

The Mystic Krewe of Karens

"Mardi Gras is a helluva drug."
-Random person in the chat of a recent Facebook Live broadcast

"It's like if Drag Race and one of the Real Housewives of Whatever City had an actual baby, and then the baby was raised by an amateur true crime podcaster."
-Me, describing this whole thing to my brother (he laughed)

We live in a very strange time. Never in my entire life did I think to myself, "2020 is going to be a disaster movie featuring a global pandemic, wrapped inside a protest movement, alongside some environmental concerns, completely redefine the world of work, all being led by a president who would rather protect rich people and racists." I didn't have that on my 2020 list. I didn't have "NASCAR bans the Confederate flag" or "Trump knew about Russia targeting American troops in Afghanistan and did nothing but invite them back into diplomatic circles" or "It's been 100+ days since Breonna Taylor's murder and her killers are still walking around as if nothing happened" on my list either. What is the world right now? 

As regular readers know, I process things when I write, but I haven't been writing much lately (unless you count rewriting stuff for work - I don't, but you can live your life however you want). I've been hesitant to keep sharing my novel, a few chapters at a time, as I had planned to do over the summer. It doesn't feel appropriate right now (I will finish posting it later in the summer). I write in a journal each morning, but it's not the same. So I thought today, let's write a little something. Let's tell everyone a weird little/big story. It's got everything: glitter purses, narcissism, controversy, social justice, gossip girls, and the drug that is Mardi Gras. The wild part? I'm 100% involved because this is 2020 and literally anything goes.

In 2019, I joined, with two of my very favorite humans, Heather and Kelly, the Mystic Krewe of Nyx. If Mardi Gras is unfamiliar to you, Nyx is one of the parading krewes that takes part in the season. Nyx is/was(?) a super krewe, specifically the largest (until three weeks ago), and membership is all women. I grew up in Louisiana, and loved Mardi Gras as a child. I wanted to be in a parade, but back then, all-women krewes were not asbcommon, and they certainly didn't play on the big stage like Endymion or Bacchus. It's wasn't until I was back in New Orleans in college that krewes like Muses and others started changing the Mardi Gras landscape.

Nyx is what I'll call a "third wave" parade - its existence is built on the successes of other krewes who came before, most notably Zulu and Muses. Zulu, founded in 1909, was the first all Black krewe, dealing with segregation in Mardi Gras well into the 1990s (Mardi Gras was officially desegregated in 1992). Muses, founded in 2001, was a new parade when I was in college, bringing women into the world of super krewes. Nyx is part of the next generation of krewes, not as traditional, a bit more "modern." I've learned a lot more about the history of the group in the last few weeks, something you'd think I'd know as a (former) member, but why would an organization want new members to know things? When Nyx began, it was the first krewe in a decade to get a permit. That alone should be a reason for the leadership to want to succeed. The krewe was founded on the idea of being diverse and inclusive and the women who joined were part of a sisterhood. 

The idea of sisterhood and community is what prompted me to join. Since leaving New Orleans nine months after Katrina, I've struggled with finding a real community. I've been friends with some of my dearest friends for over 20 years. Most of them were people I met while in college in New Orleans. There's something different about the friends you make in your late teens and early 20s - you're all becoming fully formed people together. It's very powerful. Heather and Kelly were not only my friends, but we were roommates most of college. Eventually, we all left New Orleans. We'd come back, but we'd never all be there at the same time. Being part of Nyx was both about finding a larger community and getting to spend time with them. That's why I jumped in. That's why I spent months making glitter purses. That's why I came back for 2020. 

Before we can even begin to talk about the current situation, we have to talk about the 2020 parade. It seems like this was last year, but it was only four months ago. Y'all, is 2020 actually seventeen years long? Anyway, I was looking forward to my second ride. I knew what to expect, for the most part, so I was planning to really focus on enjoying the experience rather than being so stressed about everything. Remember kids, overthinking is my superpower, so I have to focus on letting things go and going with the flow because it's not in my nature. I even stayed an extra day to enjoy a little more time at home. Well, Mardi Gras 2020 had other plans for us. At about the halfway point in the parade (float 21), a woman was struck and killed by a float. The parade was turned around, and we were all dropped in a parking lot to fend for ourselves, while also trying to grapple with the fact that a woman had just been killed. It was awful on so many fronts. Most of us felt abandoned by the Captain and the board. There was no leadership during that experience, or at least not in the way there should have been. Hats off the float lieutenants, tractor drivers, and fellow riders who did their best to help us all in the chaos that was Nyx 2020.

Flash forward a few weeks to late March. We're all trying to figure our lives in the midst of a global pandemic. Fear and uncertainty were/are the feelings of the day. The krewe sent out renewal emails with an extended payment schedule for membership fees. In a time when many people lost jobs or weren't sure if they'd have them for much longer, we got hit up for money. For women like me who didn't actually parade this year, I think we expected a discount or an acknowledgement of some form. Nothing. I paid my first installment despite these things. I wanted to ride in 2021, the 10th anniversary year. I wanted one more ride since this year ended so tragically. I decided I'd play each payment by ear, and drop out if my financial situation changed or if Mardi Gras 2021 got canceled (that's a thing that could still happen). 

And then the end of May happened. George Floyd's murder by Minneapolis PD was captured on video and the outrage at what officers did during this arrest has led to protests, vigils, and a call for defunding police departments around the world. Since then, we've all watched countless hours of police, including random unnamed police forces in DC, shoot tear gas and rubber bullets at protesters. We've watched the 45 support racists, while calling protesters "antifa" and saying that being anti-facist is a bad thing. We literally fought a war as anti-facists, so please sit the fuck down, Impostor in Chief. 

I woke up the Monday after the first weekend of protest to notifications on my social media accounts of a post from the krewe captain. She used her own social media and the krewe's to post an "All Lives Matter" post. It was totally inappropriate and was against the very ideas of sisterhood and diversity that she claims the krewe represents. When I saw the post, my first thought was "Are you fucking kidding me?" My second thought was of the Black women who ride - does she not understand what this means and how they may feel when they see it?" My third thought was "Why does she have to be this way?" 

The post was quickly removed, but enough people had seen it and taken screen shots that it wasn't forgotten. Our private float group was buzzing, and reactions were, as I predicted/hoped, not favorable toward the captain. The forum on the members' only website had some posts too; those were eventually removed, but the overall sense was that the majority of the membership was pissed. She sent a video to members, apologizing and expressing her need to "learn." Eventually, a public apology was issued. At no time did she say "Black Lives Matter" or show solidarity or even knowledge of what is actually going on in this country right now. And this is where things begin to fall apart. Since the post, half (if not more) of the membership, including myself, have resigned. Many of the support groups, like marching bands, dance troupes, and walking krewes, have refused to continue to support the krewe in solidarity. The sister krewe, Pandora, has only 15 members left. Other krewes have come out in support of us "Nyxed Sisters."

And then the flood of allegations began: financial misdeeds, racist practices around board member and float lieutenant selection, racism within the associated dance troupe, transphobia. One of the women I rode with has a great podcast episode that explains the events up until this point if you want to check it out (also, please enjoy the use of the word "allegedly" in this episode - it is everything). There have been two Facebook live broadcasts featuring former members and board members talking about the problems within the krewe (there are two more planned). Members protested at the Nyx office, calling for her resignation. The captain refuses to step down, and the plan she announced is lame at best. People are being served with cease and desist orders from her lawyer (which are apparently just show according to the lawyer of someone who was served). It's a mess, BUT it's one that could have been avoided. 

She said she wanted to learn, but refused to meet with or listen to the countless members who wanted to speak to her. Black members of the krewe have been ignored. She had people who wanted to help learn and to educate her about why what was posted was wrong, why previous statements or actions are racist, why it's not all about her. But she choose to get a lawyer, stop communicating with any of us, and act like a petulant child. I hate to use the term "Karen," mostly because I know some really lovely women named Karen, but she's a Karen, and she's now the leader of the Mystic Krewe of Karens. For her, it was never about anyone else. It was always about her. And those who stay and help her, well, it's still about her. They're loyal to her now, but I'm sure something will one day make her call the manager on them too. 

Of course I can't stop thinking about any of this. The thing that keeps coming to mind for me is this: does she (the captain) not realize the power she actually has? Think about it, you have approximately 3500 women in an organization who are all interested in empowerment, being part of a community, and having fun. We were willing to spend lots of money to be part of this. For me and many others, Nyx was our vacation, the luxury item we saved for each year. Most of us spend months designing and making glitter purses, something that was incredibly cathartic for me. The sheer power of this group could have made such an impact on the community. Members come from all 50 states (51 - DC should be a state - pass it on) and several countries. Instead, we got "Eat, Prey, Love/Girl, Wash Your Face" empowerment, racism and transphobia, and financial mismanagement. She had the power to make this into a real moment instead of the drama that is now. Her husband is under investigation by the NOPD for computer fraud. If other financial misdeeds can be proven, she and other members of the board may end up under investigation. For what? So she can feel important? So she can be the captain forever? 

I saw the comment about Mardi Gras being a drug during the first Facebook live video, and it's stuck with me for the last two weeks. I know exactly what that person meant. There is something very powerful in being in a krewe.  When I was a kid, it was about family ties to a krewe or who you knew. No one, it seemed, was randomly in a krewe. A person like me, not from the area, would have a hard time getting in. That's why the second and third wave groups are so important - they bring more people in. And with more people, more diversity of thought and experience and life become part of the fabric of Mardi Gras culture. I'm sure others will disagree with me; that's cool. We can disagree; let's just be civil about (if you can remember how to be civil).

I've also felt the power of riding in a parade. I've seen what the promise of a coveted Nyx purse or a special throw can do. I've seen, from the top of a float, the wonder on people's faces. I've made eye contact with people, from that distance, and had the ability to decide if they got anything at all. It's powerful to be a woman, in a large group of other women, in a public space, deciding whether or not someone gets a throw. It's a lot of other things, but this is the part we need to focus on now. If that's what it feels to be a rider, imagine what it must feel like to be captain. Mardi Gras is a helluva a drug.

We had the potential to be a group on the right side of history. As I wrote in my resignation letter:

You had the ability to amplify the voices of our sisters, but chose to place yourself and the krewe on the wrong side of history. Earlier this week, a group of our sisters sent you an open letter concerning this matter. That you have chosen not to engage with them or any other sisters asking to speak to you is even more evidence that you don’t understand sisterhood.

If the last few months have taught me anything it's that nothing is removed from the systems of oppression and white supremacy we've created in this country. Mardi Gras has a long history of racism. I'm not going to pretend that doesn't exist, but I've felt like most modern krewes had moved away from that history or were trying to do more to bring diversity and inclusion into Mardi Gras. There is so much joy in Mardi Gras, and this entire event has taken that joy out of it for me.

Why does it even matter? I resigned. I should just move on, focus my attention on more important things, right? But this is an important thing. At first glance it is the drama of Drag Race married with the cattiness of The Real Housewives sprinkled with an overuse of the phrase "forensic audit," but it matters so much. It's 2000ish women and supporters walking away from something they loved because one person couldn't see past their own ego to embrace the change that has to come. It's important because some of these women have probably never taken a stance in this way before, and this is how they become allies and activists. It's important because each time one more woman tells a story we hear her and we take her seriously. If we don't hold organizations responsible for the actions of their leadership, change will never happen. It's important because this exodus from something as "frivolous" as a Mardi Gras krewe is the true definition of sisterhood. 

I'm not naive enough to believe the captain will change her ways or the board will find a way to get rid of her. They don't want to. The people who are still left are, for the most part, are people who feel the same way or who don't care enough about others to do something. They can have it. They can have this rotten shell of a parade. They can keep that busted up purse float and their pop psychology empowerment. But they don't get to take the friendships that came out of being part of this. They don't get to take the memories of doing something I've wanted to do since childhood. They don't get to take away the love that went into every handmade purse the Nyxed sisters made over the years. They don't get to take away what true sisterhood and solidarity is.



Stay safe. Wear your mask. Wash your hands. Be nice to one another. Vote. Black Lives Matter. 

Thursday, April 6, 2017

A Cottage by the Sea, or How I Became a Chick Lit Character

When I started going to the gym regularly, I had to find a way to make it less awful. Music was a given but I found that reading on my Kindle helped make the time fly by. My 45 minute workout did just that everyday and I crushed my yearly book totals (I read a lot of books this way. I don't even count anymore.). I like variety in what I read but I'm also not interested in spending over $3 for a Kindle book and I don't want something that takes a ton of concentration so I tend to focus on a few genres for my "gym books":
  • Mysteries - specifically those involving a sassy woman who can communicate with ghosts and teams up with the cute sheriff to solve old crimes (there is more than one series that fits into this category). My most recent find was called The Girls and it was wonderful despite its lack of sassy woman communicating with spirits.
  • Horror - I like stand alone horror so I've reread some Stephen King classics and a few new ones by Christopher Rice and Joe Hill.
  • Biography/Memoirs - I'm a huge fan of books about people who used to be cults and odd celebrities who led fantastic lives like the girl who played Veruca Salt in the original Willy Wonka movie (she was not in a cult).
  • Chick Lit - throw in travel, baking, or music and I will buy your entire series and read it twice.
I was thinking about this earlier in the week as I walked on the trail near the Village at Shirlington. My apartment complex is still renovating the fitness center so I have to walk outside now rather than on the treadmill. The weather is nice enough (finally) so it's a good way to get out of the house for a little while every day and have something to do. I have a lot of time on my hands right now; it's important to fill the time.

Anyway, as I was on lap four of one of my walks, I had the realization that I have become a woman in one of the novels I read at the gym. Most of the chick lit novels I read involve a woman approximately my age (or in the range of 25-40), something "terrible" happens to her (marriage dissolves, business folds, laid off, death in the family, horrible breakup, all of the above), and she spends the novel reinventing herself or getting her shit together. Along the way, her friends and family get involved (they're always a little quirky), there's a romance, and shenanigans abound. My recent favorites include:
  • The Little Bookshop on the Seine by Rebecca Raisin
  • From a Paris Balcony by Ella Carey
  • The Dress Shop of Dreams by Menna van Praag
  • The Coincidence of Coconut Cake  by Amy E. Reichart  
  • Vintage by Susan Gloss
  • Village Books by Craig McKay
  • Little Beach Street Bakery by Jenny Colgan
There are many more I could list but you get the point. Of this group, Little Beach Street Bakery is my favorite (followed closely by The Coincidence of Coconut Cake). It involves living on an island (which I have done), baking as a form of therapy that becomes a business, bees, and a puffin as a pet. There's also a sassy best friend, a super rich dude, a sweet American (the novel takes place in England), and an elderly lady who is awful but ends up being a decent person. Polly, our protagonist, loses her business, her boyfriend (with whom she was in business), and her apartment all at once so she moves to a tiny island that is only reachable when the tides cooperate. She begins covertly baking bread which angers her landlady but leads to her opening a little bakery to make her rent. She also adopts a puffin who breaks his wing on her first night in her new home (his name is Neil which is exactly what I would name a puffin if I had a puffin). She makes a bunch of mistakes and then rights them and there's a Star Wars themed wedding (I'm not making this up).There's a sequel but I haven't read it yet; it's not under $3 so I have to wait.

Since my disastrous week last week, I've done many of the things that any good chick lit heroine would do:
  • I've wallowed.
  • I've visited a winery.
  • I've eaten ice cream and let it count as a meal.
  • I've gone to a yoga class.
  • I've listened to what can only be described as girl power music (you know what I mean minus Beyonce since she's not really my jam).
  • I figured out how to get my gym time in without a gym and now have three new dog friends in my neighborhood.
  • I've talked to everyone I know (slight exaggeration), trying to make them see this as a good thing as I try to convince myself of the same thing.
  • I've reorganized my kitchen cabinets (my closet is next).
  • I've baked and cooked a lot (and have more to come).
  • I listened to three Radiohead albums. 
  • I've talked to my mom at least four times and I'm visiting her today.
  • I'm binge-watching shows on Netflix (about to start season 2 of "Love") and spent an entire day watching CSI reruns.
  • I've considered becoming a flight attendant.
  • I've had conversations with Pumpkin (I do this anyway but it seems like it's happening more).
  • I'm going to Ocracoke right after to Easter to spend time with some friends because all great chick lit heroines go on a trip at some point in their journey.
  • I think about time a lot as in how to fill it and how to set goals for myself to accomplish things.
Following the chick lit heroine trajectory, I'm right on track for week one following the shake up. I stopped crying, both from grief and anger/shock on Monday so I think I'm good on that front at least for now. I've had multiple pep talks from friends and family (thanks guys, you're all the best) and I've started hearing from a bunch of people with opportunities for me to look into for my next job. Now all I have to do is get the old resume together and start applying for things. I'm also going to build a project portfolio website which sounds super fun and something I didn't think I'd do.

Which brings me to week two. Typically in these novels, it takes more time than two weeks for our heroine to get her shit together and move forward; a novel would be boring if that was how it worked. I'm not drowning in a sea of takeout containers and wine bottles (I'm such a disappointment I know). However, since I'm a real person and a certified (in my mind) planner, I can't sit that long. I've got to make lists and feel like I'm moving forward. It's been overwhelming, in an absolutely amazing and positive way, to hear from so many of colleagues and friends in the last few days about job leads and opportunities and how awesome I am. This gives me confidence to get ready for whatever is coming next. So next week, rather than wallow some more and pretend cookie dough is a food group, I'm going to get my resume updated, build my website, and reorganize my closet. It's good to have goals. And bake some; I promised to bring delicious treats to Ocracoke.

The only chick lit week two plans I'm missing are: a meet cute, a spilled cup of coffee (possibly involved in the meet cute, possibly a way to show our heroine's awkwardness or cause her to have a mini-meltdown in public), an awkward conversation with someone, an improbable connection with someone I know (think something along the lines of my friend's uncle is in publishing and wants to read my unpublished novel and thinks I'm a genius), and a fashion montage. Who's up for a fashion montage?

 This weekend on the Island, we're going on a little field trip to see the Yayoi Kusama exhibition, Infinity Mirrors, at the Hirshhorn. I'll post a photo blog so if you don't get to go a least you can see my photos and feel like you were there. 

DON'T FORGET: Saturday, April 8th is Rex Manning Day! I hope you celebrate appropriately by damning the man and saving the empire. 

Saturday, December 31, 2016

Adios, Au Revoir, Aloha, Audi 5000

Is 2016 the worst year ever? Is it really the actual dumpster fire I've come to think of it as? A year that kicked off with the death of David Bowie, is ending with a series of sad celebrity deaths (Carrie Fisher, George Michael, Debbie Reynolds) in quick succession not to mention all the garbage things that happened in the middle. Even NPR chimed in on the argument this week. While I appreciate their use of a dumpster fire GIF in the article, it also ends up being a pretty solid discussion on whether it's the year or the way in which we consume news and information in the modern age. Twitter can suck it...apparently.

To  add a little more fuel to the dumpster fire, a friend of mine recently posted an article on Facebook (purveyor of all the news you need to survive 2016, fake or otherwise) that posited that 2016 is not killing people; their poor choices over the years are what is to blame. It goes on to say we need to get over blaming the actual year for things that would inevitably happen. That these deaths all happened in 2016 is just the way life and the aging process work. The recent deaths of George Michael and Carrie Fisher were pointed to as examples of people who abused drugs throughout or at some point in their lives so we shouldn't be surprised they suffered from heart attacks and died relatively young (53 and 60 respectively). I get where the writer was going but I also felt like it was a lazy argument. She could have gone further and started with David Bowie had she really wanted to make the argument stick. Bowie spent much of the 1970s in a coke-filled haze; I've always been surprised that he made it out of that decade alive. And then went on to make the most ridiculous video ever: a cover of "Dancing in the Streets" with Mick Jagger. Is he wearing a jumpsuit? I don't know.

Yes, people die all the time. Famous people, not famous people, infamous people - it literally happens everyday. I understand that; most people understand that. Celebrity deaths are different because we're not actually involved in their lives but we are at the same time. Celebrities are celebrities because fans exist so they need us for that whole being famous thing and we need them for that whole "being inspired by their art" thing. I didn't personally know David Bowie or Prince or Abe Vigoda or Carrie Fisher but I knew them. I cried when heard David Bowie died (as I did when Lou Reed died a few years ago). It wasn't because I knew him but because he was a part of my life. His music is the music of growing up and figuring out your life as I wrote right after his death. The same thing is true of Carrie Fisher. She inspired so many young women to be the fighter and the princess at the same time because you can. She also worked hard for mental health issues and was honest about her own struggles. She was inspiring, she was a warrior. Even if 2016 is not to blame for their deaths, we're still allowed to be sad about their passing whether their previous poor life choices contributed or not. Grief is grief; you don't get to control or to judge others while they experience it. And we can blame 2016 if we want to especially if it helps us grieve.

We've all been calling 2016 the worst year since it started. There's even a meme called "Me at the Beginning of 2016 vs. Me at the End of 2016" that's sad and funny all at the same time. It wasn't only the volume of celebrity deaths that made this year a true dumpster fire. There was the horrible election cycle, catastrophic storms and hurricanes, the horrors of Aleppo, the unnecessary deaths of so many by police around the US, mass shootings. I could go on but I won't. We've had to deal with some heavy shit this year and we all deal with it in our own ways. I have friends who are still walking around in a daze because the Trump is going to be our next president. I've had to tell them several times to snap out of it. It's time to do the work of making sure his hate-filled, crazy pants agenda doesn't actually happen. You can't do that if you look like you haven't slept in months. I'm sure my "snap out of it" attitude is not helping but seriously, it's time to snap out of it.

I admit I haven't wanted a year to end more since 2005 but I still don't know that I'd call this the worst year. We can sit here and discuss every terrible thing that happened but will that actually solve? What will we accomplish by doing that? Nothing. Absolutely nothing. What we do now is figure out how to make 2017 a better year. I want everyone to waltz (literally or figuratively) into 2017 feeling empowered, emboldened, and energized for what's coming next. It's time to figure out how you want to make your life and the world a better place. I don't make New Year's resolutions; I prefer to set some goals for myself. Goals are better.

This year, I have a slightly longer list than last year but I think it's totally manageable. Here's what I'm focusing on this time around:
  • Finishing Transient Suburbia - this was a goal in 2016 and I'm almost done but not quite. I don't consider this a failure because I made a ton of progress and have one more section to write. This novel will be done in 2017 and it will find a home somewhere in the world.
  • Participate in the Women's March on Washington - Let me know if you'll be there on January 21st!
  • Donate time/money to organizations that will need more help given the new administration. I'm focusing on Planned Parenthood, The Trevor Project, and a local group that I'm still researching.
  • Get more involved in local and state politics. There are lots of ways to do this: writing my representatives, going to city/county meetings, voting (I always vote but you know what I mean). The saying "If you don't vote, you can't complain" should be expanded to "If you don't participate, you can't complain." 
  • Continue my gym going and make some decisions as to whether yoga is where I should spend my time. How should I celebrate hitting 10 million steps? It's going to happen very soon.
  • Complete at least two certifications or courses for work. Haven't decided what I'll focus on yet but I have time and lots of ideas.
  • Help my parents shift through the nightmare that is their basement - this will happen in 2017. Mark my words.
  • Get out there and enjoy 2017 - I've got a road trip planned, concerts to consider, and a new apartment to look forward to. Let's do this 2017. 
Did 2016 suck? Yes. Was it the worst year ever? I don't think so but it was certainly up there on the list of years that needed to end swiftly. Will 2017 be better? I hope so. Remember, dear Island readers, rebellions are built on hope.

I'll leave you with a little song from Green Day off their new album Revolution Radio. It's one of my favorite songs off this album and a fitting way to end a dumpster fire year. Enjoy!


Happy New Year from the Island of Misfit Toys! As I remind you every year, please enjoy your celebrations responsibly. I'll see you in 2017!!